Friday, May 19, 2017

Why do I keep calling it a baby blanket?

Update: I hit publish before I realized that I hadn't provided finished pictures of the zippered hoodie or the sock yarn!

 From left to right: the 3 ply sock yarn, the 2 ply from the remnants of the 2 bobbins, and the 2 ply from the last bobbin that had twist added to it and then it was plied on itself. I think I need to cut down on the plying twist in the sock yarn in the future.
The zippered hoodie with zipper sewn in and blocked. The i-cord edge is rolling. I think I am going to put a thin cord into the edge on the hood and ignore the others - pretend they are rolled edges.

I have been weaving on the baby blanket (there I did it again!) and making excellent progress. There are two reasons for that:

  1. I am only working on one craft right now - weaving. No knitting or spinning WIPs
  2. It is in bulky yarn! 
There are 3 panels and I divided up the colors based on quantity of each and how much I needed for each panel.
 Middle panel.
 Left panel.
Right panel.

So far I am half way through the second panel. I started with the middle panel because it had a red middle section and loops on both sides. The loops are used to join the panels. It is from Weave a No-Sew Baby Blanket from Interweave. The video shows the loops on both sides as Sara Bixler (the weaver) explains the technique. I thought it would be best to start exactly as indicated in the video and then modify for my own purposes. I didn't want loops on the outer edges of my blanket so I am only doing loops on one side on the two outer panels. And yes, this is why keep calling it my baby blanket!

 The warping is pretty fast - again because it is fat yarn. The two white strings on either side of the warp are used to make the loops. Every other weft pick is woven around the strings to create the loops.

 Finished middle panel off the loom. You can see the loops on both sides. The panels have to be joined before the fringes are knotted and the blanket wet-finished.

 Warp for the right side panel. This one has loops only on the left side. So there is only one string. I warped as far as I could do on the right until I ran out of the yarn in the ball and didn't want to go get another ball and tie it on. I am really not looking for symmetry in this blanket as there is so much asymmetry in the colors. The stripes are relatively symmetric and there is a wide horizontal band of a different color in each panel at the same place. In the middle panel, this stripe is red. On the two outer ones it is a violet.

You can see the violet in the photo above. I am much further along and you can't see the blue and red weft stripes any more. They have rolled onto the cloth beam.

I have also been planning my next knitting. As I said earlier, I am supposed to start Flieder. This is the yarn I am planning to use.
However, my brain is not in the mood for something as complex as Flieder. I think I am going to start it but I am also going to start a basic sweater that is mindless. I was going to make up my own but found this lovely one on Ravelry. The neckline is different from what I normally do and so I thought I'd knit it. My gauge is slightly off so I will have to do some calculations anyway.
It is called Grapevine and the designer is Heidi Kirmaier who designs classic elegant patterns.

The yarn that is calling to me to knit it is this color, again in Rowan Calmer. It is called Laurel and it reminds me of the young leaves of trees in the spring.

I still haven't settled on a spinning project. I am torn between spinning a DK with a gradient just to mix up what I've been spinning, or pulling out the Into The Whirled Odds and Ends and doing a random spin. Eventually my brain will tell me what to do. Until then I'm taking a break from spinning.

Thursday, May 11, 2017

No current WIPs!

I just finished the zippered hoodie. It is soaking prior to being blocked. And I finished the sock yarn spin yesterday. Nothing on the loom. It is sort of weird to be starting so many new projects. I am a monogamous crafter in general. I have a travel knitting project that I only work on when traveling. It is a lightweight yarn and a lace pattern that is not too complex. But otherwise, it is one project at a time.

I do have a spindle spinning project that is a WIP. I may pick it up again. I've been very focused on the minispinner for a while now. Anyway, I am in no hurry to start spinning something new. I have things I want to accomplish on the loom and in knitting and the garden work is in full swing.

Allergies have been keeping me indoors which is why I am being so productive. I hope the trees will be done with their flowering soon and then I can go out and work. The weeds have been given a boost by the rain and cool weather.

 The first two bobbins of the sock yarn were rather boring. There were a few spots here and there that were not blue or white. The objective here was to spin 3 low-twist single and then ply them higher-twist. It was a bit boring to do low-twist as one has to be careful to add enough twist to keep the singles together.  It requires attention and concentration. I watched some Patsy Z spinning videos to entertain me along with a couple of Tom Knisely's weaving videos.


The third singles had all the color. The braid had the bright color in one section so I divided it lengthwise into 3 instead of stripping the width into thirds. It was more fun spinning the third singles.
 There are the three of them lined up. They look like they have the same amount of singles on them, right? Wrong! The colored one on the right ran out first. I must have either added more twist to it or spun it slightly thicker.

My normal solution to running out of yarn on one bobbin in a 3-ply is to make a plying bracelet from the bobbin with the most yarn left and continue spinning a 3-ply. But when I tried to do that with the bobbin on the left which had the most yarn, I had major problems. The singles kept drifting apart. I tried a few times to restart but it was futile. I didn't realize the problem then or I could have fixed it a different way. Anyway, I chose to just make a 2-ply with the 2 bobbins.

Then I ran out of singles on the middle bobbin. Now I had to do something with the left bobbin as it still had a good bit of singles on it. I went back to the plying bracelet and had the same problem. The light bulb finally went on! Winding the plying bracelet was removing twist from the singles.  Since these were low-twist singles, enough was being removed that I no longer had sufficient twist to keep the yarn together. Twist is glue. I had no glue!

Once I realized that, I decided to just run that bobbin through the wheel again and add twist. It fell apart a few times, which made me realize that I had added a little too little twist to this bobbin, unlike the other two. But I managed to finish it, make a plying bracelet, and plied it back on itself. It fell apart towards the end and I gave up.

 Here's the pathetic little bundle of lost fibers with a pen on the side for context. I am a bit bummed. I have some nice 3-ply and two smaller bits of 2-ply. I don't know yet if I have enough yardage in the 3-ply for socks. If not, I'll make a shawl.

I think I went a little too thin and too low-twist on this. Looking at the final yarn, I could have easily drafted thicker. It is a light fingering weight, not a true sock yarn. Photos are forthcoming after it has dried. I might do a quick update tomorrow with just photos if everything dries.

On to the zippered Calmer hoodie. I extended the pockets and the body by 2" and then joined the bottoms of the pockets to the body and did an i-cord BO. It was rolling and I'm hoping blocking will stop that. Otherwise, I will have to do another attached i-cord to make a speed bump - as Meg Swansen says. Attached i-cord is not my favorite thing. So here's hoping it will stay flat.

I decided to finish the pockets before I did the sleeves in case there were problems and I had to rip stuff out. In a way it was good. Finishing as you go along means less finishing at the end. The pockets came out well except where they separate from the body. I was very concerned about that stress being put on 2 sts - one that remained with the body and one that became the pocket - right next to each other. I strengthened that section from the back by duplicate stitching across two rows and about 5-6 sts on each row at that point. I feel better about it now. This is my first time doing an angled pocket like this. I have to think about how I can reinforce that part while knitting.

That is the body with the pickets finished. I did a sort of duplicate st to join that straight end where I lengthened the pockets. It was putting an edge on top of a flat stockinette surface so I duplicate stitched over the edge and the corresponding column of sts on the body. I think it came out quite well.

After that I did the sleeves. I decided to do them on dpns because knitting on dpns is faster for me. However, I picked up the US size 7 dpns (4.5 mm) vs. the US size 8 I had used for the body! I didn't realize this till I finished the second sleeve. I tried on the sleeves as I knit to make sure they fit well so the fit is not an issue. It is that I have a bit more dense sleeves and used up more yarn and knit more sts than I needed to.

I had a lot of sts at the top of the sleeve so I made a little gusset there. I like this and will do it again in the future.

First sleeve done.

I didn't take a photo after the second sleeve. Here is the completed sweater, pre-zipper and blocking. I had to buy the zipper online because the local fabric store didn't have a separating zipper in the 20" size that was even remotely the same color. I am pretty happy with the match. The exact match was a custom order and I had to buy 25 in order to get it. This was the closest in-stock color they had. Not bad at all. https://www.zipperstop.com/ is the source. I paid more in shipping than the zipper cost but it wasn't much and it was easier to get it that way than go driving around looking for matches.

I am very pleased with the hood. I don't like the pointy hoods that most patterns have. I liked the shaping on Rogue, but it is in Aran weight. Also some of the completed garments had a bit of a gather at the top of the hood. So I took that shaping, modified it for the DK weight, and then changed it up a bit to make this hood. I think it will block out smooth. It fits well. Again, I am hoping the i-cord will stop rolling once it is blocked.

I found a whole bunch of bulky Lopi in the stash. I think there is enough to make a 3-panel blanket on the rigid heddle loom.

These are the colors. There are 9 skeins of the magenta in the middle, 3 of the violet on the top left and 1 skein of the red. The rest are what you see. I think I will warp with the magenta, using stripes of the others as follows:

  1. One panel will have the olive stripe outlined in yellow
  2. Second panel will have the olive stripe outlined in blue
  3. Third panel will have the red stripe outlined in pale gray

I am not sure if I will do one wide stripe or a couple of narrower ones. It depends on how much of the outline color I have. It will be asymmetric so I will just use what I have and decide as I warp. This is why these colors are going to be in the warp so I can figure out a way to use up as many of them as I can.

The weft will be mostly magenta with violet stripes. I have some dark gray and quite a bit of the red so I may outline the violet with either the red or the gray or both. Again, I'll wing it and I am not going to match the stripes on the panels.

I was concerned that all the colors have the same value. So I took a black and white photo to check. Guess what? I was right. There is a little variation but most of the colors are in the same value. Oh well. I want to use up the yarn and make something useful. This was more to train my eye than to make decisions. But at least the outline of each stripe and the stripe are different values.

This is what I am going to start next. I hope to warp the loom for the first panel this weekend.

On the knitting front, I am going to start a Niebling. One of my spinning guild members and I discussed started a KAL to knit Flieder. She is making a tablecloth and I want to make a shawl. She started in Feb but I was busy with the sweater so I haven't started yet. I am going to make 5 sections of the pattern rather than the full 8. This way it will stay on my shoulders. I have wound a teal colored Cheryl Oberle Dancing Fibers cobweight alpaca. I have made copies of the charts. So I am ready and that will also be starting up in the next week or so.

Wednesday, May 3, 2017

A short update

It has been a quiet week on the fiber front. I decided not to do anything on the loom while I caught up on knitting. And I've done some of that. I also have been spinning

I had made triangular pockets on the sweater. As a reminder, here is the last photo I posted of the pocket.

The issue here is that things can fall out of the pocket since it has no depth. For Cross Pockets, the designer has you knit a pocket extension that hangs behind the bottom band. However, that is a wide bottom band. I am just doing an icord at the bottom. So I needed to do something different to make the pockets functional.

I decided to add 2 inches to the length (pocket and body) where I would sew up the side of the pocket so it was vertical. That would achieve the same result as the pocket extension. In order to do this, I had to lengthen the pocket I was knitting, put the sts from the body and the other pocket on to the needles and add the length, and then go ahead and join them. 

So that is what I've been doing. I just finished the icord BO on Monday. I was going to graft the beginning to the end and then finish the pocket area to make sure it all lays flat and neat before I move on to the sleeves. But I have been having itchy eyes due to allergies. I scratched at them on Monday night and they are all swollen. It is better today but I couldn't see very well yesterday. So there was no fine finishing work going on yesterday. I hope to get to it today and will have photos in my next post.

In the meantime, I have spinning photos. I have been spinning the stretchy 3-ply sock yarn in a full project quantity. In the process, I realized that you only really see the colors in a braid when you are spinning. Looking at the braid only lets you see the large color blocks and not the lovely transitions that occur between colors. 

This was the braid. As you can see, it is mostly blues with some yellow and bright green in it. It looked pretty monochromatic to me. When I opened it up, I realized that most of the yellows were concentrated in one area of the braid. If I split it vertically into 3 as I usually do, there would be  only one section of the yarn that would have the yellow. So I split it horizontally into 3. This way the yellow would be predominant in one ply and be spread across the whole length of the yarn. 

However, as I started spinning, I realized that there are sections of green in other areas. This is from the first ply.


And some lovely violets and ceruleans in the second ply. The cerulean is hidden under the very light blue layer on the left of the bobbin. The violet was surprising. After I spun this and I looked back at the original braid, the green and the violet jumped out at me. But when I first looked at it, they were overwhelmed by the blue and the yellow-green. I am really looking forward to this yarn and I may not use it for socks after all. The colors would make a very wearable shawl with my usual uniform of blue jeans and T-shirts.


This is the first bobbin, all spun up. You can see the green in the single here. Of course, when it is plied, it will also have the colors from the other plies at that point but the green will show up as blips of color and will get accentuated by anything I wear that will is green. 


My recent scientific sampling (from the previous posts) has also led me to actually make a control card for this yarn. I have samples of the singles taped on to it and a plyback sample showing the amount of twist. You can see that in the bottom right of the card. A plyback sample is just letting the singles ply back on itself when it is freshly spun and the twist is active. I do plyback samples a lot but I never keep them. I just look at them, undo the plying and wind them onto the bobbin. I am doing this temporary plyback a lot while spinning this to make sure that I am maintaining the under-spun low twist desired state. I plan to put samples of the washed and unwashed 3-ply yarn on the card also. But I am not sure what I will do with it. This is why I don't usually make cards. Let's see. Maybe it will come in useful.

The low twist has resulted in a few times when I didn't have yarn. The singles just came apart and I had to go back to a spot where there was enough twist and then add more to the part that was falling apart. I hope the plying works because if it doesn't, it will be a pain to recover. This is why I started with a braid that I wasn't too enthralled by :-)

I am almost done with the second singles. I have about 8-10" to spin which is a couple of hours at most. The third one is the one with all the yellow-green, so I am looking forward to that and saved it for last as an incentive. 

Thursday, April 27, 2017

Making stretchy yarn

When I first started spinning, I was fascinated by the process of making yarn .It is magical.You start with fiber that pulls apart so easily but then you add twist, and it becomes strong and holds together. Just by the application of twist.

However, as a knitter, I was a little disappointed. I am used to the elastic properties of wool and the yarn I made was not elastic. In fact, most of the yarn I have made has been used in shawls and scarves and cowls. Things that don't require elasticity. My yarn was even and soft and completely inelastic. I watched videos. I watched Margaret Stove make lovely elastic yarn and explain how she did it. But I wasn't able to replicate her results.

A couple of years ago, I took a singles class with Amy King. Amy is the low-twist singles queen. At the end of the class, she mentioned that she uses low-twist to create elastic sock yarn. I was intrigued and I asked her how she does that. Her method is to spin a very low-twist singles and then ply with the normal amount of plying twist that one would for that weight of yarn. As you may remember, we normally add twist to the individual elements of the plied yarn (the singles yarn) and then balance that twist energy by adding opposing twist in the plying direction. This is called a balanced ply. But in this case, we add more twist in the plying than we added in the singles. So the yarn isn't balanced. I spun a tiny 3-ply sample in that class and I was awed by the fact that it was indeed elastic.

I came back inspired and was discussing the topic online in one of my Ravelry spinning groups. I wondered how different blends would react to this process. One of the very lovely spinners in that group sent me 3 samples of roving she had - about 8 gm each. I intended to do some experiments with them but got distracted by other things. The rovings sat there.

While I was spinning the collapse weave yarns, another member of the same group posted about a class she took with Jillian Moreno. They had spun a variety of yarns in the class. One of them was a crepe yarn. A crepe yarn is one where you spin 2 singles yarns in one direction, then you ply them together with a lot of plying twist. You spin a third singles in the same direction as the plying twist and then you ply the plied yarn and the singles in the original spinning direction,. The reason you add more plying twist is because you are going to be plying again in the opposite direction.


This is a photo from Sarah Anderson's Spinner's Book of Yarn Designs. I took it to show someone the structure of crepe yarn. Anyway, this spinner said that the crepe yarn was very elastic. This discussion inspired me all over again. And in my experimental scientific mood following the collapse weave experiments, I finally picked up those rovings and did my stretchy yarn experiments.


 The first one was a Corriedale roving. Corriedale is a medium wool but it has a lot of crimp and it puffs up and becomes very soft and fluffy after the yarn is finished by washing. I expected this to become a nice stretchy yarn if I used Amy King's low twist singles with a high twist ply. And I was proven right. This skein stretches from 11" - 13" easily. Once released, it snaps back to its original length.


Next up was a Corriedale/silk blend roving, which you can see spun up and waiting to be plied above. I expected that the addition of the silk would reduce the elasticity. I wanted this as a comparison to the plain Corriedale I spun first. So I used the same technique. I did a low-twist singles and then added more plying twist. As I expected, it was still stretchy but much less so. The skein also relaxed a lot more. Wound on the same niddy-noddy, the skein was 13" when relaxed and stretched to 15", but relaxed back to 13" again.


The third roving was a Romney/silk noil blend. Romney is a long wool and thus does not have as much crimp as Corriedale. It has a wave. I thought I would experiment with the crepe yarn to see if it would add elasticity to what I expected to be the least elastic of the 3 rovings. 



This photo shows the 2 initial plies and the 3rd piece that is waiting to be spun in the opposing direction to be added after the first two are plied together. This skein relaxed the most. It was 15" long - also wound on the same niddy-noddy. It only stretched to 16" but also went back to 15" when released. Crepe yarns have texture, which you can see in the photo below.


Yardage also varied a bit. The Corriedale gave me 29 yds. The Corriedale/silk yielded 17 yds for the same weight, and the Romney/silk resulted in 17.5 yds for the 8 gm weight.

I think this is the first time I've been relatively scientific about my spinning. I mostly just spin and then decide what I'm going to do with the yarn based on its qualities after I am done. There is one more yarn structure I need to explore. It is called an opposing ply yarn and it is very stretchy. Another description of it is here.

Those of you who know the scientific method know that this is kind of scientific, but not quite. There are too many uncontrolled variables, and the fiber itself is very different. I want to add to this set of experiments by using a plain roving (not a blend) that I have and spin all three yarn structures with the same fiber and compare them. But that is for another time.

I started spinning the mystery wool (from a couple of posts ago) for socks using the low-twist singles/high-twist ply method. I am part-way through the first of the 3 singles.


The fiber looks like this. I divided in in 3 lengthwise instead of stripping it widthwise because the non-blue sections are sparse and I wanted them more distributed in the yarn.

On the weaving front, I did a quick little project. I had been saving an old pair of jeans that were worn and too big because I know denim is great for upcycling. In a Ravelry group devoted to rigid heddle weaving, the April theme is weaving with fabric. I was inspired to cut up my jeans and a T-shirt that I didn't like very much to make a rag rug.


I used the method described in this video to make the yarn. I used a thick, rustic cotton I found at a big box craft store as warp. To pack down the weft and create a thick, stiff rug, I used a hair pick. I had bought the hair pick to open up locks of wool and spin directly from them. But it was the perfect tool to pack down the weft and make the rug.

Another rabbit hole was exploring options to finish the edges. Who knew there were so many ways to finish rugs. I ended up doing a single Damascene edge and then making overhand knots to make a fringe. Typically, one would weave the ends back into the body of the rug after a single Damascene edging. But I found that too difficult with the cut up fabric. Hence the fringe.

One technique I want to try is a Maori edge. I had some leftover warp so I found some bulky Lopi-lookalike and wove a little sample. I plan to finish this using the Maori edge so I can see how easy or fiddly it is.


Now I am going to take a break from weaving to plan my next weaving project and finish up my Calmer hoodie. I've finished the pockets and now I need to join the pockets to the body and finish the bottom of the sweater. Then I have sleeves and a hood to knit. So that is a project that needs some time spent on it.

Monday, April 17, 2017

Results of Collapse weave experiments

The collapse weave experiments are done and I have my plan for the Tour de Fleece. As I said last time, I planned to do four sets of samples. Each set consists of two identical samples: one to remain unwashed and the other to be washed and finished.

I hemstitched each sample. I did not size the singles. I think I need to do this because the single got very twisty and was difficult to weave with.

Sample set 1: This was done with a high-twist, very fine, dyed Polwarth single. It was spun with Z twist from top. Spun with a short forward draw. The discrepancy between the thickness of the warp and the weft meant that this became warp-focused and the color variation in the weft is not visible. But I liked the feel of this. With a thinner warp, this would be a lovely fabric.
This is one of the samples on the loom.

This is the completed set. Washed on the left and unwashed on the right. The unwashed sample is curling from the twist I think.

Sample set 2: a thicker, lower twist single spun Z from a cream/taupe striped Corriedale roving. This was spun with a supported longish draw. I striped the weft by packing it down more densely to create stripes. This is my favorite and what I will be spinning for during the Tour de Fleece.  I will weave a scarf with self stripes in the warp and the weft using the same singles yarn.
On the loom.
Completed set. Washed on left and unwashed on right.

Sample set 3: Singles were spun with S twist from gray Corriedale roving. Spun with a short backward draw. This is what the dyed Polwarth would look like if the singles were thicker. The gray makes the colors in the warp pop.
On the loom.
 Completed set. Washed on left, unwashed on right. This is also curling but see how nice the fabric is on the washed sample. I liked this one a lot also.

Sample set 4: Same singles as above but I added stripes of the warp, which wouldn't change in the finishing as it is a balanced yarn.
 On the loom.

Completed set. Washed on left, unwashed on right. This also makes an interesting fabric and something I may try with a different warp at some time.

Overall, I found the process fun and I learned a lot. Sarah Anderson recommends sizing with a xanthan gum solution to control the twist while weaving. It washes out in the finishing. That is what I plan to do. I want to spin a thicker, slightly lower twist singles from the dyed top and do the self striping, which will provide some structure to the fabric. The only question in my mind is whether I ply the warp yarn and just use singles in the weft or use singles for both.

Next, I am playing with spinning stretchy yarns for socks so stay tuned...

Tuesday, April 4, 2017

Collapse Weave Exploration

When I spin or work out, I need entertainment. Sometimes I listen to podcasts. But frequently I need something to look at. Spinning and weaving videos work well to entertain me. They inspire me, give me new tips, and reinforce older ones. Things that went right over my head when I was newer to spinning make sense now when I watch those videos again. Some of my favorites are by Sara Lamb, Sarah Anderson, Judith MacKenzie, and Patsy Zawistoski. The first three teachers have videos on Interweave and Patsy Z's are available via DVD on her website.

Anyway, I was watching Kathryn Alexander's video on Energized Yarns and she mentioned that they can be used in weaving. Then I watched Sara Lamb's video on Spin to Weave and she talked about weaving with them. I did some googling and found a book by Anne Field called Collapse Weave and most of the other information on the web was related to her book. There was a few independent blogs and artciles but not much. Knitty had a blog on it. I bought the book and read as much of it as made sense to me. But I am smitten.

The book is mostly about weaving on a floor or table loom and I haven't figured out my floor loom yet. Therefore, that was not an option. But some of the early stuff in the book is simple plain weave or tabby. I felt I could do something with that. The basic concept is that you spin singles and leave them as energized yarns. The energy goes dormant as the yarn sits, or you might have to tame it by wetting and letting it dry with a weight on it. Sometimes you even have to add sizing if you want to use it as warp.

However, after you weave, you soak it in water to finish it and the pent-up energy is released and it makes the cloth turn into a 3-dimensional work of art. I bet there are some works of horror too. But we won't think of that.

The next stage of this journey had to do with the Tour de Fleece. Someone on Ravelry asked what my plans were for the Tour de Fleece this year, and suddenly I thought about weaving singles for a collapse weave project. But I didn't want to spend a lot of time spinning something that wouldn't work. And that led me to the experiments in this post. I need to spin and weave some samples before I plan my Tour de Fleece spinning.

I decided to try 3 different types of energized singles. Maybe these distinctions won't make a difference but I have to start somewhere, right?

I spun these three yarns.
 From left to right: dyed Polwarth top spun worsted with a Z twist into a fine, highly twisted singles yarn; cream undyed Corriedale roving spun longdraw with a Z twist into a slightly thicker, highly twisted singles yarn; gray undyed Corriedale spun with a short backwards draw with a S twist into a slightly thicker, highly twisted singles yarn.
 The top 3 cones are my warp. I chose some linen/silk that I had on hand from Colourmart. I wanted something that wouldn't shrink to provide structure in the fabric. I also am not sure which of the colors will look good so i decided to try them all.
 I've warped the loom and put on a header and am ready to go. The warp is 4 yds long. I used a very wide sett - there is a lot of room between the warp threads to give the energized yarn room to move. I plan to weave 4 sets of samples. Each set is 2 identical samples: one will be washed and finished and one will remain unwashed for reference.

  1. A 12" sample with the dyed worsted fine singles as weft.
  2. A 12" sample with the cream woolen yarn as weft but make stripes of more closely packed weft and a balanced weft which will be spread further apart. 
  3. A 12" sample with the gray semi-woolen S twist yarn as weft
  4. A 12" sample with the gray yarn striped with the warp yarn
The objective of the two striped samples is to experiment with differential shrinkage. This is where one yarn shrinks a bit more than another one and creates a gathered or crinkly effect. If you remember seersucker fabric, that is achieved by differential shrinkage.

This is a search for collapse weave projects on Ravelry. This is another blog with some details of collapse weave. I provide these as references in case you are intrigued by my journey and want to follow along.
And now that I've finished that spinning, I am pondering my next project. I want color. I pulled these 4 braids out of my stash but I'm torn as to what to spin. I've asked on Instagram and on Ravelry and so far the Fiber Optic gradient has a slight edge although all 4 braids have received votes. What do you think?

The knitting is also making progress. I've finished the body and need to pick up and knit the pockets next.
Then come the sleeves and the hood. This is a mashup of Giorgia, Cross Pockets, and Rogue. The raglan shaping is from Giorgia because my row gauge matched that pattern more closely than the row gauge on Cross Pockets. The body below the armhole is mostly based on Cross Pockets because I wanted to see how that design looked on me before I went through the effort of figuring out the shoulder and armhole shaping at my row gauge. I also like the hood shaping on Rogue so I am going to adapt that for the hood. The color in this photo is a little washed out as I used the flash to eliminate shadows. It is a bit brighter than this. A rose color. The yarn is Rowan Calmer in the colorway Mandarin.

And that's all for now, folks!